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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 8, 2021 | Sotheby's | Paris | Collection de Monsieur & Madame Robert Schmit | Œuvres choisies – Session I | 50 | $****** - ****** | Very Good | La Cuisine |
paintings
47.2 x 58.3 cm (18.58 x 22.95 in)
oil on paper laid down on canvas
stamped with the studio mark (on the reverse)
Atelier Georges Rouault
Galerie Paul Pétridès, Paris
Sale: Sotheby's, London, June 27, 1984, lot 165
Acquired at the above sale
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Atelier Georges Rouault
Galerie Paul Pétridès, Paris
Vente: Sotheby's, Londres, 27 juin 1984, lot 165
Acquis lors de cette vente
Paris, Galerie Schmit, Lumières sur la peinture: XIXe-XXe siècles , 1983, no. 80, illustrated in the catalogue
Paris, Galerie Schmit, De Corot à Picasso , 1985, no. 50, illustrated in the catalogue
Paris, Galerie Schmit, Maîtres Français, XIXe-XXe siècles, 1988, no. 61, illustrated in the catalogue
Paris, Galerie Schmit, Rétrospective Georges Rouault (1871-1958) dans les collections privées françaises, peintures et œuvres sur papier, 2008, illustrated in the catalogue
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Paris, Galerie Schmit, Lumières sur la peinture: XIXe-XXe siècles , 1983, no. 80, reproduit dans le catalogue
Paris, Galerie Schmit, De Corot à Picasso , 1985, no. 50, reproduit dans le catalogue
Paris, Galerie Schmit, Maîtres Français, XIXe-XXe siècles, 1988, no. 61, reproduit dans le catalogue
Paris, Galerie Schmit, Rétrospective Georges Rouault (1871-1958) dans les collections privées françaises, peintures et œuvres sur papier, 2008, reproduit dans le catalogue
Georges Rouault
1871 - 1958
La Cuisine
stamped with the studio mark (on the reverse)
oil on paper laid down on canvas
Painted circa 1954.
47,2 x 58,3 cm; 18⅝ x 23 in.
The Fondation Georges Rouault has kindly confirmed the authenticity of this work.
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Georges Rouault
1871 - 1958
La Cuisine
porte le cachet de l'atelier (au dos)
huile sur papier marouflé sur toile
Peint vers 1954.
47,2 x 58,3 cm; 18⅝ x 23 in.
La Fondation Georges Rouault a confirmé l’authenticité de cette œuvre.
